WNMU Cultural Affairs November 2026 Events

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Thomas Mesa President's Chamber Music Series: Tommy Mesa

Tuesday, November 3

Light Hall Theater

7 PM

Celebrated as one of the most charismatic and innovative classical performers of his generation, Cuban-American cellist Dr. Tommy Mesa brings technical brilliance and emotional depth to the stage. A recipient of Lincoln Center's 2025 Avery Fisher Career Grant and the Sphinx Organization's 2023 Medal of Excellence, Mesa has appeared with leading orchestras and premiered major new works for cello while expanding the instrument's voice for today's audiences. He will perform with pianist Sylvie Cheng.

General Admission $20 | Students, Faculty and Staff admitted free with a WNMU ID/Ticket required

Culture.wnmu.edu

WorldAccordingtoSound The World According to Sound

Thursday, November 12

Webb Theater

7 PM

The World According to Sound, created by Chris Hoff and Sam Harnett, is an immersive live audio experience that asks audiences to listen differently. Surrounded by sound, listeners are taken through recordings, stories, research, and unexpected sonic landscapes that reveal the world through the ear instead of the eye. Blending public radio craft, sound art, and live performance, the show turns listening into a powerful shared experience.

General Admission $10 | Students, Faculty and Staff admitted free with a WNMU ID/Ticket required

Culture.wnmu.edu

PianoMenGenerations Piano Men: Generations

Saturday, November 21

Fine Arts Center Theatre

7 PM

This dynamic tribute concert celebrates the timeless music of Billy Joel and Elton John with two powerhouse performers, live-band energy, and beloved hits such asPiano Man, Rocket Man, Crocodile Rock, and Just the Way You Are. Audiences can expect an interactive night of singalong favorites, rock-and-roll nostalgia, and piano-driven pop magic.

General Admission $20 | Students, Faculty and Staff admitted free with a WNMU ID/Ticket required

Culture.wnmu.edu

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WNMU Cultural Affairs November 2026 Events

Content on the Beat

Editor's Notes

Submitting to the Beat